Look, I’m glad ‘12 Years [A Slave]’ got made and it’s wonderful that people are seeing it and there is another view of what happened in America. But I’m not real sure why Steve McQueen wanted to tackle that particular sort of thing.
[‘Fruitvale Station’] explains things like the shooting of Trayvon Martin, the problems with stop and search, and is just more poignant. America is much more willing to acknowledge what happened in the past: ‘We freed the slaves! It’s all good!’ But to say: ‘We are still unnecessarily killing black men’ – let’s have a conversation about that.
Samuel L. Jackson (via artyartyhadaparty)
I think in light of 12 Years a Slave winning the Oscar for Best Picture, this needs to be remembered. Because it is a very important point in terms of the palatability of 12 Years a Slave and why Fruitvale Station didn’t even get nominated when it has such acclaim outside of the Oscar world.
Bodily autonomy is a beautiful ideal. Like so much in human rights, it gestures toward a vision of a perfect world, lit by Platonic concepts that burn in the corridors like inexhaustible candles. Yet our bodies are not autonomous. Our bodies are part of the world. They are subject to its vicissitudes, implicated in its weakness, its injustices, its power, its dying. They live with the world’s joys and fail with its wrongs. This is a fact, not a lesson. It can be said; it can’t be learned. I will only learn it by dying.
Racism is like a Cadillac, they bring out a new model every year.
there is no healthier drug than creativity.
Justice is not a quantitative question. If you steal something for long enough it doesn’t become yours